This runway offered a hybrid to the ruffle with a pleat and fringe. This bold design adorned tops, dresses, pants and corsets alike for a clean and unique cohesive collection. The detailing was met with statement sleeves with loud, bold shapes.
The colors keeping the collection classic and approachable, chest tattoos added some edge to the sophisticated collection. Giving us the urge to get back to the desk, Taoray Ray truly embodied the power suit and made it fiercely feminine. 
Photos by Nicholas Borsodi @njb3photo
Wardrobe review by Maureen Borsodi @thelalook
Edited by Holly Glasser @hollyglasser
]]>Naersi was careful to create flattering shapes by belting, cinching and drawing in the waist. From simple block leather belts to statement-worthy ruffle corsets, the collection celebrated a woman’s figure in its interpretation of updated menswear. Also noted were new shapes and lengths of pants, skirts and dresses.
The simplicity in color palletes and silhouettes were given diversity with exaggerated shapes and fabrics. Everything from silk to suede to vinyl graced this runway, with statement shoes and bags.
Makeup for this runway had a little bit of edge to it. Eyes were lined and smoked out. The face was contoured with a glowy, dewy highlight. The brows were defined and shaped, and the lips were left very natural. Hair was down but slicked back on the sides and teased volume in the middle. The exciting location and look left a great memory in our minds at Naersi SS18.
Images by Nicholas Borsodi @nbj3photo
Wardrobe review by Maureen Borsodi @thelalook
Makeup review by Diana Alba @dnalbabeauty
Edited by Holly Glasser @hollyglasser
]]>The collection being absolutely breathtaking all on its own, seeing Ms. Karlie Kloss stun on the runway created an illusion that truly conjured up emotion. Alongside Ms. Kloss, Taylor Hill strutted, and the music to accompany these stunners and their 28 other strong women was moving.
The runway makeup look had a smokey eye using natural brown tone colors, and the shadow was used around the eyes and blended up to the brow bone. Skin was very fresh with a semi- dewy finish. Cheeks were defined with a natural tone giving it more of a contour look. Browns were defined and shaded in to their natural brow shape and lips tinted to their natural lip color. Hair was pulled back to a low bun and on the front, the hair was parted and twisted, creating a headband look with their own hair.
Power could be felt inside this vast space filled up with an inspired and engaged audience. Excitement quickly built around the exaggerated pieces. The season-less styling allowed the viewer to dream of wearing this collection anytime and anywhere.
Photos by Nicholas Borsodi @njb3photo
Wardrobe review by Maureen Borsodi @thelalook
Makeup review by Diana Alba @dnalbabeauty
Edited by Holly Glasser @hollyglasser
]]>This stunning collection offered an aesthetic all its own with ruffles and fullness, as well as prints and cutouts. Showing the feminine side of bohemian, the pieces that graced this runway could easily appeal to a woman from Flower Child to Ms. Montauk. Standout styles were the fiercely flowing yellow grouping, the striped contrasts and the sunset tie dyes.
Whisked away in thoughts of gorgeous locales, we were left dreaming of sunshine and crashing waves from these pieces. The Leanne Marshall collection the collection left of longing for extremely feminine cut outs and an array of color.
Photos by Nicholas Borsodi @njb3photo
Words by Maureen Borsodi @thelalook
Edited by Holly Glasser @hollyglasser
]]>Graphics paired with tailored shorts and blazers with bikinis kept the collection youthful and whimsical in true Rowley fashion. Feminine ruffles and flowy fits offered a sophisticated take on bohemian chic, while minimal details kept the collection clean and refined. Leaving us feeling light and luxe, the collection truly breathed light into NYFW
Photos by Nicholas Borsodi @njb3photo
Words by Maureen Borsodi @thelalook
Edited by Holly Glasser @hollyglasser
]]>Proof that florals for spring CAN indeed be groundbreaking, Tadashi has not only found a way to update the season’s most well-known print, but also the bohemian design overall. Femininity and structure were added to this Spring / Summer 2018 Collection creating a cosmopolitan aesthetic to a typically free-flowing trend.
Structure was added to this collection with slimmer shapes, deep necklines, nipped waists and subtle skin. Strategic cutouts, shoulders and sheer fabrics created an element of sweetness to the typical West Coast feel. Stripes combined with florals added a classic touch while the colors kept the collection fresh.
Tadashi was mindful to add some sexiness to this collection with two-piece sets, expertly placed sheerness and formed fits. Wearable anywhere from a romantic getaway to a fabulous affair, this collection speaks to the woman who identifies herself as Boho Chic to Classically Refined. Pieces to appeal to the woman seeking her essential summer dress to those looking to steal the show, Tadashi Spring / Summer 2018 truly embodies the ‘WOW’ factor of NYFW with the intricate designs and attention-to-detail. 
Article by Maureen Borsodi @thelalook
Photos by Nicholas Borsodi @njb3photo
Edited by Holly Glasser @ hollyglasser
]]>An unexpected color pallet of black and white with pops of red and lavender met whimsical prints and dressy details such as sequins and eyelets at the Noon by Noor show. Everyday chic combined with pieces that transition easily from day to night and desk to drinks.
A collection that felt effortlessly livable, Spring / Summer 2018 from Noon by Noor showed the designer’s ability to truly transition an assortment across a lifestyle and create something for a woman to wear every day and every way.
The favorite looks from the runway included the updated shirt dress in ivory, which featured high side slits and collared neck, the monochromatic red pants and slinky sweater combo, the full white skirt and printed tee and blazer look, and finally the can’t-wait-to-wear black halter dress.
Enabling visions of days of hard work dressed as a power figure to luxe days on the sand, this Noon by Noor 2018 Collection embodies a woman’s day-in-the-life and how she dresses to wear her many roles.
Words by Maureen Borsodi @thelalook
Photos by Nicholas Borsodi @njb3photo
Edited by Holly Glasser @hollyglasser
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Article and video by Eva Catherine (EvaCatherine.com)
Photos by Fee Glory (@Feeglory on Instagram)
Follow the designer (@NoonbyNoor on Instagram)
Edited by Holly Glasser
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**Photos by Kathleen O’Neill
“Hi, Snapchat! We’re reporting to you live from backstage at Demoo Parkchoonmoo’s runway show at New York Fashion Week,” a perky model said for a press lady’s iPhone. The Fall/Winter 2016 collection was presented at the Dock at Skylight at Clarkson Square, which had a pretzel-like maze of a runway.
Dozens of #BTS hair and makeup tweets and Instagrams were posted, and then it was time for rehearsal. “This is going to be the longest walk of my life,” the director said jokingly, as he demonstrated a sophisticated stride around the seemingly endless runway. The models laughed, and then quickly became serious as they closely observed his technique.
During the run-through, the models wore their street clothes (leather jackets, belted pea coats, and black denim) and some practiced in their “show” shoes. One by one, they conquered the runway, then stuck out their tongues and gave peace signs to the cameras as they returned backstage. “Now, go get dressed!” a determined PR lady announced. It was nearing show time, and the crew was behind schedule.
Each model had two “dressers” each, who were careful in styling the looks just right, yet vigorous in shoving on the shoes. When the girls lined up, the once diverse individuals had transformed into a magnificently cohesive group. I captured a quick photo of the model in the opening look (Zoe) with her game face on, and then rushed out to my seat. Just moments later, Zoe materialized under the bright lights, radiating strength and warmth.
This season, designer Demi Park presented a contemporary interpretation of her Korean heritage. Traditional bright colors were diluted to hues of camel, grey, gold, burgundy and eggplant. Kknotshins, or “flower shoes” were stripped of their floral prints, and Chimas, long wide skirts, were updated with dropped waistlines. The collection contained an array of both casual attire and Evening Wear that could easily translate from catwalk to street. Blouses with shoulder cutouts were layered with fur vests and paired with wide-leg trousers, and button downs peeked out from underneath cropped turtleneck sweaters with extra-long sleeves. Oversized and asymmetrical collars added to the cozy-yet-edgy aesthetic, while slim-fitting, sheer tops and floor-length silk skirts provided a touch of sensual glamour. Fur hats, handbags and muffs complimented many relaxed looks while chopsticks completed some of the chic hairstyles.
Demi did a flawless job of paying homage to her roots while celebrating modern style in her Fall/Winter 2016 collection. I’m sure it won’t be long before her super cool, reinvented Korean skirts and flower shoes are spotted on trendsetters and celebrities alike!
Follow Demoo Parkchoonmoo on Instagram @demooparkchoonmoo and check out their website www.demoo.com!
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*Photos by Kathleen O’Neill
Designers Humberto Leon and Carol Lim kept their showgoers in suspense for almost an hour past the show’s start time before finally opening Pier 90’s gates. Then, blast off! A swarm of trendy editors, celebrities and photographers flooded the venue, abandoning their complimentary beers and peanuts. Crash landing on Mars, the crowd watched as spherical white lanterns flickered and inflatable space ships lifted off a bold orange runway.
Read the Full Coverage of the OPENING CEREMONY Show in Issue No.3
At the end of Nika Tang’s presentation, we had the opportunity to chat with the creative and wonderful designer about her inspiration.
MITH: What inspired this collection?
Nika Tang: “My inspiration comes from “Rango” the animated film. I was inspired by the journey of the story. It was very humorous, but was also about self-identity and search. In the movie, the lizard had to face reality. He had to come to terms with what he is as an illusion and what he is in reality, which needed a lot of courage. What also inspired us was the charm of the “All-American Cowboy.” For the color story, we loved the composition of Luis Barragán, an architect, who would use a lot of pastel pop colors, beiges and other tones, giving balance. My overall inspiration comes from taking different things from different industries, architecture, and film. We watch a lot of Wes Anderson movies, which inspires a lot of depth behind that story line.”
MITH: Who do you see wearing your collection?
Nika Tang: “We got to meet Lyn from Accidental Icon. She’s a little bit older but very charming and into fashion and art, which is the type of woman I can see in my garments. The idea of being able to express yourself is important. A lot of artists and designers, anyone who loved colors and shapes would be perfect for our collection. Since we study architecture, a lot of our emphasis is on exaggerated silhouettes. We want our customers have fun but still have those pieces that really stay in their closet, their favorite conversational pieces.”
Fit for the French Alps
Inspired by his recent trip to Courchevel, Zang Toi’s Fall/Winter 2016 collection included more than the expected glamorous evening wear. This season, he incorporated layered knits, fur vests, and leather tunics. He even included a flat shoe, which was definitely a refreshing first for Zang. Remaining true to his style, he showcased blazers, cardigans and blouses adorned with fur, silk and lace. The color palette shifted from grays and blacks to hues of reds and purple, with stunning fishtail and brocade column gowns. Beads, tulle and shimmering fabrics added exquisite detail to the pieces. A sleek up-do and bold red lip finished off the chic looks perfectly, adding a crisp and clean look to the French Alps theme.
*Photos by Kathleen O’Neill
We have a boycott on the runway, as models flood the floor with signs and high spirits: “Adopt a dog.” “John the revolution.” “Lib love for life.” “Bernie for eva.” “Women’s rights for eva.” “Feel the Bern.” Designer of Libertine, Johnson Hartig, shows us his energy and liveliness every season! Inspired by modern art, culture and a revolutionary frame of mind, Hartig takes us through a colorful and trippy journey. Libertine describes itself as “graphic illuminations teamed with sublime screen printing techniques and an avant-garde approach to deconstruction by way of customizing recycled items, thus breathing new life into designs from yesteryear.” Johnson Hartig’s creativity is anything but simple.
For Men and Women’s Fall/Winter 2016, Libertine stuns us with lace, beaded graphic art, and colorful fur. Rhinestone patchwork smothers everything from deep plunging neckline dresses to tweed pant coats with fur cuffs, to cropped tapered pants. Even the sheer tights have rhinestones and studs. For menswear we glimpse at colorful sequined joggers, hoodies, and graphic tees, paired with classic black All Star Converse. Sticking to an expressive vision, Libertine’s brilliant hairdos embrace a side braid with 7-10 sequined bows scattered in no particular order to the back of the head. As for shoes, colorful tassels hang from ‘strappy’ sandals. The black fur collared cape with “Time for Love” printed on the back, as well as the boxy hot pink fur coat, leave one in awe. Once again, Libertine’s collection is surreal and vivid.
Words by Natalie Partsinelevos, MITH Style Editor.
Instagram: @theurbanthread
Twitter: @theurbanthread
The Yohanix presentation displayed looks packed with dozens of fabrics, reflecting the dozens of hopes within each of us that we are so afraid to pursue. The program read, “We dreamed to be the one./ The actor, the biker, the rock star…/Fear of failure narrowed us./…But one can be many.” The first models that emerged were dressed head-to-toe in shadow black in combinations of lambskin, cashmere wool and waxed cotton. Their makeup was minimal, besides a bold red lip, and their hair was center-parted with loose waves. Black beanies, booties and shades added to the edgy vibe, while gold-beaded flowers and stars provided a feminine flair.
The music transitioned from intense instrumentals to hard hitting rap and the color pallet shifted towards army khaki and mud grey. Patterns of florals and plaids appeared on pants and jackets alike, in shades of carmine and midnight-blue. Everything from skirts and jumpers, to sweatshirts and blouses took the stage, with various sequinning and embroidery patterns. Even more fabrics were added to the mix as the show progressed, including carbon-coated cotton, mouton, wool mix—even tweed and suede. They all worked together in perfect harmony, creating the essence of the individual we all aspire to be: one who fearlessly pursues each and every one of their dreams.
The Jarret collection was entitled “In Blood,” and was made up of a carefully crafted cross-pollination of womenswear and menswear pieces. The models looked almost like vampires as they conquered the runway in black wool and red fur. Colors of burnt henna, cool blue and blue sapphire were then added to the mix. To paraphrase the program excerpt, “Although colour in blood is lost/…Although dream is not what you see in sleep/He gently flows in my heart.” It set a poignant tone for the extravagant interpretation of masculine and feminine elements. Between extra-long tassels, ankle frills, plastic 2-D hair bows and “JARRET” armbands, these garments were all about the details.
Hair was flat ironed, eyes were drawn with winged black liner, and lips were bold and blood red. Blazers and pants were presented in abstract prints, lace, and tulle to provide a thought-provoking touch to unique silhouettes. The label’s manner of transforming Korean costumes provides an unusual aesthetic that keeps us thoroughly intrigued.
*Photos by Kathleen O’Neill
Tyson Beckford. *Photos by Kathleen O’Neill
Read the Full Coverage & Interview of Greg Lauren’s show in Issue No.3
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Worn by every model, Converse signified the importance of simplicity, a theme that repeated throughout the show. From Shiseido’s barely visible makeup, to the relaxed hair by Cutler, Claudia Li emphasized how important it is to be comfortable in your own skin.
Claudia Li introduced vegan leather dresses, bandeaus and bottoms in black and berry red. Denim two pieces were quite prevalent throughout the collection as well, inspiring the trend to live on. Parallel to last season, Li’s signature yarn was integrated into jacket sleeves and dresses. The structured bell sleeves and leather accessories pulled the collection together effortlessly.
Claudia Li impressed us all with her deep architectural visions and relaxed vibes for Fall/Winter 2016.
Taoray Wang’s inspiration for Fall 2016 comes from Victorian fashion. Centuries back, tailoring was mainly for men. But, as time passed, tailoring evolved into the foundation for a solid, sleek, and stylish look for women as well. Taoray Wang’s collection focuses on modern and asymmetrical silhouettes with a traditional and historical touch.
Makeup by Bobbi Brown – “We emphasize natural everyday makeup.” Hair by Rodney Cutler -“We follow pulled-back low, messy buns with a left-side part-elegant and timeless.”
Words by Natalie Partsinelevos, MITH Style Editor
Photos by Kathleen O’Neill, MITH Senior Editor & Photographer
Godfrey is steering clear from the classic pump this season, as he incorporates wedged two-toned booties to balance out the formality of his collection. In addition, there is a sense of preservation among designers this season for deep V-neck dresses and jumpsuits, as we see evident in Godfrey’s designs tonight! Looks like we have some shopping to do!
Attending the Greg Lauren show at NYFW September 2015 was an absolute treat. Greg Lauren, being related to Ralph Lauren by family origin, resembles his uncle in the clean sophistication of his garments. Greg Lauren’s show was filled with hues of navy blue, crisp whites, and a few pops of black, army green and bright orange. The designer was none-to-shy with his array of large hats that various models donned ever-so-fiercely, with their fists shoved nonchalantly into their pockets as they strutted the runway in total demure.
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Yet, Greg Lauren is more than just freshness. He is casual edginess, to the max. What I love most about Greg Lauren’s designs is that you get a strong sense for his desert bohemian safari vibes with the hooded garments and baggy pants with scandalous cutouts at the hip line. You get the feeling that a very stylish bounty hunter, dressed to kill, would wear his garments. Dressed to kill. Literally.
One of his most memorable pieces was a sand-colored jacket with a jagged crocodile-like pattern on the back. The reptilian aspect of the jacket perfectly accentuated the theme of the night and was a nice “pop” of personality. Speaking of personality,Malin Akerman was seated in the front row, dressed to please. She was wearing an army green piece that blended perfectly with Lauren’s hues on the runway.
Let’s not forget the long, flowy gowns, in whites and blacks and greens, whose fabrics trailed behind the models like a tent canopy billowing in the wind. Perhaps not only for the bounty hunter, but also for the avant-garde explorer or safari-venturing type, or a mother of dragons, or simply a very Carmen San Diego archeologist, one might find his garments pleasing.
In fact, after viewing his show, I’m just dying to hop into a jeep and drive through the dusty plains and into the lush jungle with binoculars in hand. Imagine being swept away into the oasis that is Greg Lauren – back-dropped by hardy shrubbery and blistering sands. Greg Lauren’s garments deserve to be accompanied by a rugged landscape. Overall, the show was glistening with personality and sophistication and polished fierceness.
We will forget-you-not, Greg Lauren.
Check out the full Greg Lauren Spring 2016 Ready-to-Wear Collection